The Wonders of Creation and the Oddities of Existence (Add.Ms. 471) was written in the late 13th century by Zakariyyā ibn Muḥammad ibn Maḥmūd al-Qazwini, an eminent scholar from Qazvin, Iran. Qazwini’s Wonders, also known as The Cosmography (or ʻAjāʼib al-makhlūqāt wa Gharāʼib al-mawjūdāt) encompasses the known world from the perspective of medieval Islam. A richly illustrated amalgam of scientific knowledge, astrology, folklore and tales of travel, the text was influential as it brought a broad range of ideas into a new format. The Wonders became a staple text across madrasas and courtly circles, serving as both an educational tool and source of entertainment.
Due to its popularity, many manuscript copies of the Wonders continued to be reproduced across the Islamic World from its inception through to the 19th century. The text was originally composed in Arabic by Qazwini, and ongoing scholarly debate suggests that he also authored a Persian version of the cosmography himself, rather than a later anonymous translation as had been previously thought. Alongside Arabic and Persian versions, Turkish translations can also be found in surviving manuscripts.
Influenced by Neoplatonic theories of emanation, Qazwini’s encyclopaedia sets out the divine order of the universe; from the stars and planets, the sky and seas, through the mineral, vegetable and animal kingdoms down to the smallest insects.
Fantastical beings in the encyclopaedia include winged jinns (demons) riding horses, bird-headed people, and a Sinād (elephant-like creature) giving birth. In addition to these mythical ‘oddities’, Qazwini also reminds us of the extraordinary qualities of a giraffe, a camel or a scorpion. Cataloguing a unicorn and phoenix alongside birds and rats, all entries are equally intended to incite awe at God’s power of creation.
As well as illustrations accompanying most treatises, there are also astronomical diagrams. In the section on the planets, these diagrams detail their orbital movements, and can tell us about the alignment of the planets when this manuscript was created.
This copy in the Rare Books & Special Collections is an incomplete Persian version of Qazwini’s text, most likely produced in Deccan India between 1500-1700. The Wonders was an incredibly popular text in Mughal India, and many surviving copies originate from here. Despite this location of production, the style of the script and illustrations closely follows that of other examples originating from Herat and Shiraz in the late 15th century (Paris Biblioteque). This copy shows many signs of age and intervention, with several folios cut down, missing or rearranged.
Only present in some Persian versions of the Wonders, this manuscript also details human feats of creation. An illustrated passage describes particular ‘automata,’ clever mechanisms that can pour wine or even play musical instruments.
Qazwini’s Wonders provides a snapshot of a pre-modern worldview in which the magical, the cosmic and the mundane coalesce into a unified world order.
Call number: Add.Ms. 471
Written by Amelia Langley.
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